Mirror Man

“Mark always very resistant to any idea that he would dress up, especially clothes that he didn’t really feel comfortable in. He was still a mod at heart; he used to look like Paul Weller – it was the slip-ons with a tassle, tight jeans and a shirt, that’s what he dressed in.” – from Mark Hollis:A Perfect Silence

Out in the street today
We’re parading around
We’re the height of the fashion
And she laughs ‘cos we look the same
And follow all of the rules

Before Google, what did people do when they wanted to know about something? They went to the library, got a book out. When I was 15 I got a life-changing book out from my local library. It was about Modernists (Mods) and I was instantly hooked. Mod dressing wasn’t just about style, it was about detail. Really obsessive detail that only other Mods would notice. How many buttons on your cuff? Side vents or centre? (Side is the correct answer, btw). What fabric is that shirt? I love that line in The Sea and The Sand (from Quadrophenia) about a “touch of seersucker”. So Mod. And I love the line in Mirror Man about following all of the rules. Also, so Mod. Mark Hollis was down with Mod. His general detail-obsessed vibe was Mod, and his shaggy hair tidy shirt tight jeans and loafers uniform was legitimately Mod.

The ReAction, who were lumped in with the whole “Mod Revival” thing, (and maybe the singers ‘look’ had a bit to do with that) had a tune called Out On The Streets Today, which, as you can probably tell from the title, was an embryonic version of Mirror Man. Lyrically, at least. Not to be confused with the Police-y version you may have heard that is often credited to The ReAction but turns out to be from that between-bands period where Mark Hollis was writing songs and making demos. So, by the time this was (rather oddly) chosen as Talk Talk’s (barely promoted, not even a video) debut single in 1982 he’d been singing that line about being the height of the fashion for four years already – and he was still singing it at his last live gigs in 1986, chambray shirt untucked, hair shaggier than ever, looking more like Kurt Cobain than Steve Marriott, but still a Mod underneath it all, I am quite certain.

 

The Who – The Sea and the Sand https://youtu.be/rObg-I4IWYA?si=_hPgSz6YTrptgnuc

Mirror Man https://youtu.be/BVz1w2qy3_M?si=03GfZue7wwMXDk96

 

Mirror Man – Mark Hollis Demo Version

Out on the street today

We’re parading around

We’re the height of the fashion

And she laughs ‘cos we look the same

And follow all of the rules

Every little bit of my time

Keeps me positive my clothes are in line

I’ll identify my true preening style

Mirror man

Oh mirror man

Mirror man

So we look the same

Mirror man

How else do you expect to live with the town?

Inside of her room today

She’s been working all hours

It’s a final presentation

Each day, dressed a different way

She’s the star of the road

Every little bit of her time

Keeps a visual check that she’s out of line

She’ll wear anything you can’t recognize

Mirror man

Oh mirror man

Mirror man

So we look the same

How else do you expect to live with the town?

Hey! It’s a different day.

Take a look you can throw your clothes away

Every little bit of her time

Keeps her checking that she stands out of line

She’ll wear anything you can’t recognise

Mirror Man

Oh mirror man

Mirror man

So we look the same

Mirror man

How else do you expect to live with the town?

Take a look we’re on your street today

Take a look we’re on your street today

Take a look we’re on your street today

Roundtable on Radio One, 1982.

RIchard Skinner: This is a new band now called Talk Talk. They come from London and this is Mirror Man.

(Mirror Man plays)

RS: If you’ve just joined us, this is Roundtable with Richard Skinner here, Kid Jensen as well, Robert Palmer and from Japan, David Sylvian.

The music there provided by Talk Talk, it’s called Mirror Man.

I’ll turn to you first Kid, coz I know that this is something that you’ve been involved in a sense, hasn’t it, the band.

KJ: Yes, I’m rather pleased that they made their Radio One debut on my show with a session, several weeks ago, it was amazing because a couple of nights after that they announced that they had signed to EMI Records, because the following day there had been all the major companies onto them they were so impressed, and up to that point they’d only done about 5 gigs! It sounded like some strange hype. I got more letters about the Talk Talk session than any other session I’ve ever broadcast, and I thought, this really is major hype at work here but then they toured with Duran Duran, and again I got a lot of response from people who had gone to see Duran Duran, had seen the support act and were asking me to play more of Talk Talk.

Now, about this single, I don’t think this is one of their better songs, some of the numbers from our session were more obvious, but I think this will be successful for them because they have certainly a big following already.

RS: Mark Hollis, who writes the songs, also sings, says he wants to write songs to last a decade. Robert? You know, I assume they don’t last that long, but you know, still stand up in ten years.

RP: That’s very ambitious.

RS:  Do you think he’s over reaching himself here or what?

RP. Um well. As I say, I heard this last night and it didn’t make any impression on me at all, last night,  and listening to it there, I know why – the mix is awful. It don’t think it’s bad but …

RS You’re straining to hear the words there aren’t you?

RP It wasn’t the lyrics. It sounds quiet and I bet if you turn it up really loud it’ll still sound quiet. The drummer’s really going for it, and there is no sensation of it. The part he’s playing is real strong. It’s probably good.

RS. David Sylvian, have you met this lot before? Are you aware of them?

DS. No, no.

RS First impressions then.

DS I quite like the song actually. I think, had it been produced differently, maybe a different arrangement, it could have been quite good. As it is, it doesn’t offend me. But you know. It should do maybe.

RS. I have to give mention to producer Colin Thurston here, who put the record together.

RP Is he on the phone?

RS I don’t think so, he probably will be in a minute!

I like the twiddly bits of violins, that’s what really got me.

KJ Maybe it’s coz the song was on their session, it was more immediate in our studio somehow.

RS. Because they just put it together, in what? 2 or 3 hours?

KJ Yeah.

RS Allright, I think they’ve got a big future anyway. Talk Talk.